Pawan again back to form with attarintiki daredhi...There are few pawanist sceneslike  just place a weapon in Pawan's grasp, make a peculiarity, include four battles and six tunes, the occupation is carried out. The motion picture will beyond any doubt turn into a hit. That is the force of Pawan Kalyan. His remove draws gigantic swarms. Simply his vicinity deciphers a motion picture into blockbuster. Be that as it may if a chief scores a hit singularly dependent upon Powerstar's picture then what is his significance? Precisely with this considered, Trivikram has concocted a shiny new plot for Powerstar. Trivikram has set an immense mass courageous person like Pawan Kalyan in a complete class story. Trivikram took the danger of putting a high voltage movement star like Pawan in a delicate and touching family acting piece. What amount of danger a chief needs to take to title a film featuring mass courageous person like Pawan as Attharintiki daredi? Trivikram has taken that hazard. All the more essentially Powerstar has demonstrated his guts by supporting Trivikram in this tasteful enactment. Therefore, another side of Pawan Kalyan has been disclosed in this film. How about we discover to what degree this chief model team succeeded in fulfilling mass and class group of onlookers at the same time and what Attharintiki daredi offers viewers.

Raghu Nandan (Boma Irani) is a crorepati staying in Italy. Gautam Nanda (Pawan Kalyan) is his grandson. He accepts that true euphoria lies seeing someone instead of in cash. Despite the fact that Raghu Nandan is stinkingly rich he is always agonized over one thing. His girl Sunanda (Nadiya) is far from him. One fine morning he asks his grandson Gautam, "Every year on special day I used to give you a blessing. This time I am asking you a blessing. Will you carry your close relative?" Thus on the wish of his grandpa, Gautam comes to India for his auntie Sunanda. Sunanda possesses a five star lodging yet is in obligations. Gautam recoveries Sunanda's spouse (Rao Ramesh) from a mishap and draws near to him. He joins Sunanda's family as driver with the name Siddu. Prameela (Praneetha) and Sasi (Samantha) are Sunanda's two girls. Joining as a common driver Gautam takes care of auntie's issues and makes a merry disposition in the crew. Anyway another issue surfaces. What's that issue? How Gautam manages it? Did he change his auntie's personality? are the primary parts of the story.

Coming to story, its not an extraordinary one. It's not even another story. Anyhow it has scope for depicting in another way. Trivikram has utilised this chance. He has composed this family story around a mass courageous person like Pawan. This motion picture is a sweet stun for Powerstar fans. Individuals who throng to theatres needing Pawan style of masala will have a totally new experience. In fresh this film is a response for feedback, "Why chiefs and heroes dependably think in the same old way and don't leave set recipe?" In one expression, this is not a motion picture to be carried out by Pawan. At the same time credit must be given for both Pawan and Trivikram for attempting a family story in place of mass masala film.

Trivikram's motion pictures are known for punches. No less than one punch must be there for each scene. Trivikram ran the motion picture satisfying this desire. Motion picture begins with Samantha's seize scene. Story movements to India in the wake of demonstrating Pawan's gallantry in Italy. Nadiya's home environs, Pawan's hungama with two sister-in-laws (mardallu), his entertaining exertions to get into driver's part, all these make comic drama and take film advance in an engrossing way. Feelings have been conveyed well in the middle of these enthralling scenes. In spite of the fact that film dulls a touch post interim, Trivikram rapidly drags it again to track. Utilizing his trademark punches and Powerstar's style, Trivikram takes the film to peak. With a spot of movement, film closes. With supposition scattered at fitting minutes Trivikram made it into a family film.

Unlike star heroes 'exclusive show' this film is a three man show. Pawan, Trivikram and Devi Sri Prasad are the three mainstays of this motion picture. Pawan cows a basic story in an extremely noteworthy manner with his picture and discourse conveyance. Despite the fact that Pawan is a characteristic performer he goes over the edge on occasion. This time Trivikram dealt with that overabundances and indicated Pawan in a limited manner. Pawan shows up exceptionally great looking in this motion picture. Trivikram has indicated Pawan so excitingly that this is the first run through Pawan is showing up so nice looking after Kushi. All through the motion picture Polaroid is kept tabs on Pawan. There is nothing wrong in it. In light of the fact that Pawan's picture is such a great amount of vital for this story and motion picture. In the event that this film was carried out by any star other than Pawan Kalyan it might have been bombarded.

Trivikram made even an ordinary scene as a superb unified with his taking qualities. Despite the fact that Trivikram's enjoying for rhyming exchanges has gone over the edge now and again, punches have clicked in an enormous manner. "Ammayira abhimanam vuntundhi..koduku nanna kopama vuntundhi", "ontlo pattu thaggaka..mee thathaki pattudala thagginda.." are only a couple of samples of Trivikram imprint punches. Trivikram has made a top notch showing both as a journalist and chief.

Every living soul feels that Samantha has more vitality and screen time. At the same time both Praneetha and Samantha have equivalent imperativeness, subsequently making equity for two model equation. While Praneetha amuses in the first half, Samantha influences gathering of people in second half. Indeed there is very little scope for bot

Final verdict: Pawan back to from....Ready to roar on box office..Fans its ur celebration's time

EntireAndhra rating: 4/5

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